Waking Life, Lapham’s Quarterly
Extreme Times Call for Extreme Heroines: Betye Saar Fights on at 93, Art & Object
Hot-Air War Machine, Lapham’s Quarterly
Concrete Jungle: NYC’s thriving transplants, Perfect Strangers
A Photographer Sees a Prophecy of Trump’s America in Atlantic City, Hyperallergic
Why Splattering Eggs on a Museum’s Walls with Other Women Was So Satisfying, Hyperallergic
Developing a Collective Language of Resistance Across the Centuries, Hyperallergic
The Parachuting Female Photojournalist Who Dove Into War Headfirst, Narratively
The Undiscussed Sexual Exploitation Buried in Matisse’s Odalisque Paintings, Hyperallegric
This Black Woman Was Once the Biggest Star in Jazz. Here’s Why You’ve Never Heard of Her, Narratively
Swimming in Gaza: The power of taking to water in a war zone, Lacuna Magazine
Weeds Might Save the World, The Planthunter
Tapestries that Mend the Divides Between Mexico and the US, Hyperallergic
‘City Dreams,’ MoMA’s First Solo Exhibition by a Black African Artist, OkayAfrica
Imarhan Are Pushing the Boundaries of Desert Rock, OkayAfrica
Dirty Art: Residencies Down on the Farm, Bizarre Culture
The Remarkable and Polyglot Design Legacy of Ilonka Karasz, Hyperallergic